Dotted flowers….

I am dotted silver threads dropped from heaven by the Gods…..
Khalil Gibran

The opening lines of the poem “Song of the Rain” by Khalil Gibran, speak of the timeless romantic beauty of the rain…. I was lucky to capture some freshly minted raindrops on some bougainvillea flowers.

London Diaries – Reflections


“Beauty is eternity gazing at itself in a mirror.
But you are eternity and you are the mirror.”
Kahlil Gibran, The Prophet

Fragrance that a flower yields…

Often I have come across a beautiful definition of forgiveness – that forgiveness is like the scent a flower sheds while being crushed ….

curious as to the origin of the phase, many attributed it to a sufi saint and some to a saint in ancient India, I did a bit of research in a beautiful site called and got the following information….

Details are here….

Forgiveness Is the Fragrance the Violet Sheds on the Heel That Has Crushed It

Mark Twain? George Roemisch? Sophia May Eckley? Ella A. Giles? Elizabeth Reeves Humphreys? Apocryphal?

volets01Dear Quote Investigator: The following evocative metaphorical definition of forgiveness is often attributed to Mark Twain:

Forgiveness is the fragrance that the violet sheds on the heel that has crushed it.

But I have seen the quotation below credited to someone named George Roemisch in the popular advice column “Dear Abby”:

Forgiveness is the fragrance of the violet which still clings fast to the heel that crushed it.

I find this example of figurative speech fascinating. Is the ascription to Twain accurate? Would you explore the history of this type of saying?

Quote Investigator: There is no substantive evidence that Mark Twain said or wrote this statement. It is not listed on the website edited by Barbara Schmidt, an important reference tool for checking expressions ascribed to the humorist. Also, it does not appear in the large compilation “Mark Twain at Your Fingertips”. The unsupported linkage to Twain was printed in newspapers by the 1970s. See details further below.

This metaphor does have a very long history and a variety of plants with aromas have been substituted into its framework. In 1794 a prominent scholar of ancient India and languages named Sir William Jones delivered a lecture titled “The Philosophy of the Asiaticks”.

Jones discussed the topic of forgiveness and its figurative representation in a work he credited to a pandit. The sandalwood tree has a close-grained wood that is prized for its long-lasting fragrance. In the following passage the destructive force was provided by an axe and not a foot: 1

…the beautiful Aryá couplet, which was written at least three centuries before our era, and which pronounces the duty of a good man, even in the moment of his destruction to consist not only in forgiving, but even in a desire of benefiting, his destroyer, as the Sandal-tree, in the instant of its overthrow, sheds perfume on the axe, which fells it…

An 1812 a book by Reverend Charles Colton discussed forgiveness and employed the same metaphor while citing the words of Sir William Jones in a footnote. Colton presented a “sandal-tree” as an example of a plant which had been “wronged” but reacted with “forgiveness” and “kindness”: 2

The falling Sandal-Tree sheds fragrance round,
Perfumes the axe that fells it to the ground;
Some through their tortured trunks a balm supply,
And to give life to their destroyer—die;

In 1845 a poem titled “Father! Forgive Them!” used the symbol of a “floweret” which had been crushed beneath a foot to represent forgiveness. The overall context of the work was Christian: 3

“Father, forgive them!” As a floweret fair,
When crushed beneath some rude and careless tread,
Breathes forth its fragrance on the balmy air,
Regaling him who hath its beauties shed

Here are additional selected citations in chronological order.

In 1847 a Sunday School lesson included rhyming verse that was based on the sandalwood tree example: 4

The sandal-tree perfumes, when riven,
The axe that laid it low;
Let him who hopes to be forgiven,
Forgive and bless his foe.

In 1848 the verse above was attributed to the “Persian poet Sadi”, but this ascription may have been based on a misreading of the lecture by Jones who mentioned Sadi but credited him with different words unrelated to the sandalwood tree: 5

FORGIVENESS.—One of the most beautiful gems of oriental literature is contained in a passage from the Persian poet Sadi, quoted by Sir William Jones, the sentiment of which is embodied in the following lines:—

The sandal-tree perfumes, when riven,
The axe that laid it low;
Let man who hopes to be forgiven,
Forgive and bless his foe.

In 1855 a metaphor employing trampled flowers appeared in a journal called “The Sacred Circle” which contained articles about spiritualism: 6

Forgiveness is the perfume which flowers give when trampled upon.

In 1863 a “poor mute” was credited with an instance of the figurative statement based on “a bruised flower”: 7

There is poetry in the answer of the poor mute, who, when asked for a definition of forgiveness, wrote on his slate, “Forgiveness is the fragrance which a bruised flower yields to him who tramples on it.” There is poetry, too, in the explanation which some one has given of the simple Christian precept, “Love your enemies.” He who loves his enemies is like “the sandal-tree, which sheds a perfume on the axe that fells it.”

In 1869 the poet Sophia May Eckley employed a geranium in her verse to illustrate forgiveness: 8

A Rose Geranium Sings

You may crush us and break us at will,
But forgiveness may hide in a grief;
Forgiveness! sweet unction of fragrance,
Bruised from a geranium leaf.

In 1890 the poem “Forgiveness” by the poet Ella A. Giles appeared in a compilation titled “Local and National Poets of America”: 9


Forgiveness is the fragrance, rare and sweet,
That flowers yield when trampled on by feet
That reckless tread the tender, teeming earth;
For blossoms crushed and bleeding yet give birth
To pardon’s perfume; from the stern decrees
Of unforgiveness. Nature ever flees.

In 1898 a Sunday School lesson plan credited a “little blind girl” with an instance of the metaphor: 10

Let the children tell you what they understand forgiveness to be. A little blind girl when asked what she thought it means said, “It is the fragrance of a flower after it is crushed!”

In 1916 a short item in “The Judge” magazine credited a “blind Indiana child’ with an instance of the popular saying that employed a violet: 11

Definition Elaborated

If, as a blind Indiana child once wrote, “forgiveness is the perfume of the violet on the heel that crushed it,” gratitude may safely be characterized as the perfume of the rose on the hand that caressed it.

In 1935 an instance of the saying with a violet appeared in the syndicated newspaper column of O. O. McIntyre: 12

A recently headlined gentleman, unjustly bruised, sends this definition of forgiveness: “The fragrance of a violet lingering on the heel that crushed it.”

In 1954 “Think” the magazine of the International Business Machines Corporation printed a poem by Elizabeth Reeves Humphreys titled “The Fragrance of Forgiveness”. Here is an excerpt featuring a hyacinth: 13

Think on this saying from the East:
“Forgiveness is the fragrance
Of a trampled hyacinth.”
Sublime thought,
Repaying injury with the sweetness
Of a crushed flower.

In 1965 the widely distributed advice column “Dear Abby” printed the saying. The columnist Abigail Van Buren, a pen name, would reprint the statement several times in the upcoming years: 14

Confidential to Wronged in Fort Worth: Forgiveness is the fragrance of a violet on the heel of the one who crushed it.

By 1971 the saying had been reassigned to Mark Twain. An advertisement section called “Shop with Sue” in a Spokane, Washington newspaper printed the text below. The section contained more than a dozen adages, quips, and quotations most of which were unattributed: 15

Forgiveness: The fragrance the violet sheds on the heel that has crushed it. —Twain.

In 1973 the saying was linked to Mark Twain again. This time a syndicated columnist named Hal Boyle actually credited the phrase to “an asylum inmate”: 16

It was Mark Twain (quoting an asylum inmate) who observed, “Forgiveness is the fragrance the violet sheds on the heel that has crushed it.”

In 1981 “Dear Abby” printed a note from “Donna Smith in the Bronx” who asserted that the statement about a crushed violet was contained in a poem by a schoolmate named George Roemisch. Smith sent the full poem to Abigail Van Buren who immediately published a section. In a later column the full poem was printed. Also, in future columns Roemisch was credited: 17

DEAR ABBY: You told ANONYMOUS in a recent column to resolve her anger, and then you quoted a line from a poem that was written by George Roemisch, a former schoolmate of mine. The quote: “Forgiveness is the fragrance of the violet on the heel of the one who crushed it.” That is only part of his poem titled “Forgiveness,” which I am enclosing in its entirety.

In conclusion, the metaphorical framework has an extensive history. The earliest examples known to QI were based on the sandalwood tree and an axe. In 1844 an instance with a floweret crushed by a “careless tread” was published. Multiple poets have been attracted to this imagery, and flowers such as geraniums, hyacinths, and violets have been featured in verses.

There is no substantive evidence that Mark Twain crafted this metaphor. Poems using this symbolism are following a well-trodden flower-filled path. Please be careful where you step.

Monsoon Madness


Monsoon Madness – Travelling by train in India opens you out of a vista of rain-washed, chequered fields and  people toiling within…

The rains bring a new lease of life and happiness to the vast majority of the population who rejoice in the rebirth of the parched earth… As Gibran says’

The field and the cloud are lovers
And between them I am a messenger of mercy.
I quench the thirst of one;
I cure the ailment of the other.

It was on one such memorable journey from Danapur to Varanasi, that I spied these women returning to the fields after lunch…..

Death and beyond….


For what is it to die but to stand naked in the wind and to melt into the sun?

And what is it to cease breathing, but to free the breath from its restless tides, that it may rise and expand and seek God unencumbered?

Khalil Gibran

Flamboyant Tuesday’s 16.08.16

This image of the poppy flower in full bloom reminds me of a beautiful flamenco dancer in a bright red dress, twirling to the music…

The strumming and the flute notes

rise into the atmosphere,

and if the whole world’s harp

should burn up,

there will still be hidden instruments

playing, playing 

~ Rumi